There is a bit of Cinderfella, a bit of The Beauty and the Beast, and yes, also a bit of the Puss in Boots, all mixed together in a resulting tale that is a winning formula. Often I read historical fantasy tale, but most of the time they have not originality, they are only a way to tell a story of man love in frilly garments without the burden to do an historical accurate research. in Year of the Cat, Selah March is not trying to masquerade an historical tale with the fantasy freedom, she wants to tell you a fairy tale, a naughty fairy tale, and she reaches her purpose.

Etienne is the third and favorite son of an old merchant. His father always sheltered him from his older brothers and from the outside world. It's not that Etienne is dumb, it's only that he has a gentle soul and a tendency to obey if commanded, and not willingness to rebel. His father knows that, once he dies, Etienne will not survive at his brothers' rage and tells Etienne to run away, in a isolated cottage in the forest. To this exchange there is a witness, a silver cat.

The cat, that Etienne will call Jacques, is a cursed man. More than 50 years before he was cursed by a witch and now he doesn't remember anything of his previous life, he behaves more like a beast than a man, even when he is in his human form. Jacques is damned to be a cat by day and a man by night. And like a cat, he is drawn by pretty things, things with which he wants to play. At first he thinks Etienne being an angel, someone who will surely help him to break the curse. But when he realizes that Etienne is only an innocent boy, he changes his plans: Jacques will play with Etienne, he will use him for his pleasure, always treating him like a precious thing, his precious toy.

And so it's, the relationship between Jacques and Etienne is very strange, their sexual intercourse edges on pain, but then Jacques is always careful to provide Etienne with everything he needs, a shelter, food, books, even music papers. Only that Etienne has to behave, he is Jacques' property, more his slave than his master, even if Jacques tells people that Etienne is a wealthy marquis, and Jacques is his manservant.

It's strange, there is obviously a BDSM tone in the story, but more than a modern thing dipped in a fantasy context, I see Jacques' behavior like something I would expect from a cat, being jealous and protective at the same time of the things he loves. Even the play with knives I found very right, have you ever seen a cat playing with a bird or a mouse he caught? They can be very cruel. So yes, the BDSM tone sounds very good in this fantasy tale, and it didn't ring wrong as other time similar tale did.

And a nice surprise was also Etienne: in many fairy tale, the damsel in distress is not exactly a clever woman... Cinderella, Belle, and other colleagues, if not for the help of some fairy godmother or divine intervention, they were more sacrificial lambs than real heroines. Instead Etienne, even if debauched innocent, has an inner strength that will help him by his own. Etienne is not, and will never be, a leader or a fighter, at least not with his fists, but he is clever, and above all he is in love. But even if in love, he knows where to rely his trust, not on his brothers, or on a wealthy patron... even if in rags and scruffy, his cat / man is the right one. And to add a point to Etienne's cleverness, it didn't take him long to realize that the silver cat Jacques was the same man who appeared to him one night, barely few hours... I do think Belle took longer to find out who the Beast was!

http://www.amberquill.com/AmberAllure/YearCat.html

Amazon Kindle: Year Of The Cat

The Rainbow Awards: First Week results: http://elisa-rolle.livejournal.com/811346.html