Friedman's Totempole (1965) features an army love affair between its protagonist and a North Korean doctor war prisoner. Some have identified the Stephen Wolfe persona in this novel as being the first instance of a main character who is both Jewish and gay in American fiction.
Friedman was born in New York City, the son of Leonard and Madeline (Uris) Friedman. A 1945 graduate of the Horace Mann School, in the same class as his lifelong friend Allard K. Lowenstein, Friedman earned a BFA from the Carnegie Institute of Technology. From 1951 to 1953 he served in the US Army as a military policeman in Korea, where he was awarded a Bronze Star. He has taught writing at the Juilliard School and at SAGE. He was a friend to many noted artists like Lee Krasner and Fritz Bultman, and for several years Friedman was the companion of the noted American poet, translator, and critic Richard Howard. Howard dedicated his poem "1915: A Pre-Raphaelite Ending, London" to him. Friedman was also active off-Broadway as a writer and producer, collaborating with actor Howard Da Silva; author Ben Maddow; and playwright Arnold Perl. Perl authored a 1957 play, “Tevya and his Daughters,” co-produced by Friedman and starring Mike Kellin as Sholem Aleichem’s dairyman — a production which inspired 1964’s “Fiddler on the Roof.” In 1968, Friedman signed the “Writers and Editors War Tax Protest” pledge, vowing to refuse tax payments in protest against the Vietnam War. Friedman died of a heart attack in his Manhattan apartment on April 20, 2010.
In 1965 Friedman was given the O. Henry Award from the Society of Arts & Sciences for Ocean, which formed part of his novel Totempole.
Sanford Friedman, 1989, by Robert Giard (http://beinecke.library.yale.edu/dl_crosscollex/brbldl_getrec.asp?fld=img&id=1123791)
American photographer Robert Giard is renowned for his portraits of American poets and writers; his particular focus was on gay and lesbian writers. Some of his photographs of the American gay and lesbian literary community appear in his groundbreaking book Particular Voices: Portraits of Gay and Lesbian Writers, published by MIT Press in 1997. Giard’s stated mission was to define the literary history and cultural identity of gays and lesbians for the mainstream of American society, which perceived them as disparate, marginal individuals possessing neither. In all, he photographed more than 600 writers. (http://beinecke.library.yale.edu/digitallibrary/giard.html)
Lee Krasner: A Biography by Gail Levin
Paperback: 576 pages
Publisher: William Morrow Paperbacks; Reprint edition (March 13, 2012)
Amazon: Lee Krasner: A Biography
Lee Krasner is best known as the artist-wife of Jackson Pollock, the renowned abstract expressionist painter. Yet in this riveting biography, the first full-length account of her colorful life, Krasner emerges as a significant artist who deserves her place in the twentieth century's cultural lexicon. In this captivating book, art historian Gail Levin probes Krasner's relationship with Pollock, examining how this strong woman struggled to meet the challenges of their poverty, as well as her husband's alcoholism and extramarital affair, all the while encouraging his art. Drawing on new sources and numerous personal interviews—including with Krasner herself—Levin has written a dynamic and moving portrait of a brilliant woman, a most welcome work that recovers Krasner's voice and allows us to understand how her life intersected with and informed her art.
Lee Krasner (Modern Masters Series, Vol. 15) by Robert Carleton Hobbs
Paperback: 128 pages
Publisher: Abbeville Press; First edition. edition (September 1, 1993)
Amazon: Lee Krasner
This work chronicles the life and work of Lee Krasner, one of the most inventive Abstract Expressionist painters. Lee Kranser occupies a special place in Abstract Expressionism as a major female painter in a group of artists known for their macho individuality. Aproaching art-making as a forum for communicating her discoveries about the self, nature and modern life, she turn the process of her painting into a debate with herself and other artists, ranging from Picasso and Matisse to her husband, Jackson Pollock. Often painting in a large scale, she created canvases overflowing with colour and intensely personal content. Fearless in her readiness to explore new styles, she created an extraordinary range of works, from her early Cubist-based abstractions to ambitious late canvases related to the postmodernism of the 1980s. The abrupt changes in her style, coupled with her feuds with powerful critics, delayed critical acceptance of Krasner's art.