Susan Griffin was born in Los Angeles, California, in 1943 and has resided in California since then.
Susan Griffin has written over twenty books, including non-fiction, poetry and plays. Her work addresses many social and political issues, social justice, the oppression of women, ecology, war and peace, economic inequities and democracy. Often she approaches her subjects at a slant, using and following the music of language, metaphor, stories and incidents from her own life to reveal the underside of larger histories and realms. Her book, A Chorus of Stones, the Private Life of War, was a finalist for the Pulitzer Prize and a NY Times Notable book in the year it was published. Woman and Nature, considered a classic of environmental writing, is credited for inspiring the eco-feminist movement. The Book of the Courtesans introduced a hidden chapter in women's history. Along with her co-editor, Karin Carrington, who is a psychotherapist, she has just completed editing an anthology called Transforming Terror, Remembering the Soul of the World, with a preface by Archbishop Desmond Tutu, and contributions from thinkers, psychologists, spiritual and political leaders and poets from diverse cultures and religions, including Mahmoud Darwish, Riane Eisler, Fritjof Capra, Huston Smith, Ariel Dorfman, Dan Ellsberg, and Fatema Mernissi. She is at work now on a novel about climate change and a non-fiction book, The Book of Housewifery, about the hidden meanings and values in domesticity.
Susan Griffin, 1988, by Robert Giard (http://beinecke.library.yale.edu/dl_crosscollex/brbldl_getrec.asp?fld=img&id=1123946)
American photographer Robert Giard is renowned for his portraits of American poets and writers; his particular focus was on gay and lesbian writers. Some of his photographs of the American gay and lesbian literary community appear in his groundbreaking book Particular Voices: Portraits of Gay and Lesbian Writers, published by MIT Press in 1997. Giard’s stated mission was to define the literary history and cultural identity of gays and lesbians for the mainstream of American society, which perceived them as disparate, marginal individuals possessing neither. In all, he photographed more than 600 writers. (http://beinecke.library.yale.edu/digital