Bang was born into a noble family of Asserballe, on the small Danish island of Als, the son of a South Jutlandic vicar (a relative of N. F. S. Grundtvig). His family history was marked by insanity and disease.
When he was twenty he published two volumes of critical essays on the realistic movement. In 1880 he published his novel Haabløse Slægter (Families Without Hope), which aroused immediate attention. The main character was a young man who had a relationship with an older woman. The book was considered obscene at the time and was banned. After some time spent in travel and a successful lecture tour of Norway and Sweden, he settled in Copenhagen and produced a series of novels and collections of short stories which placed him in the front rank of Scandinavian novelists. Among his more famous stories are Fædra (1883) and Tine (Tina, 1889).
The latter won for its author the friendship of Henrik Ibsen and the enthusiastic admiration of Jonas Lie. Among his other works are Det hvide Hus (The White House, 1898), Excentriske Noveller (Eccentric Stories, 1885), Stille Eksistenser (Quiet Existences, 1886), Liv og Død (Life and Death, 1899), Englen Michael (The Angel Michael, 1902), a volume of poems (1889), and recollections, Ti Aar (Ten Years, 1891).
Bang was a homosexual, a fact which contributed to his isolation in the cultural life of Denmark and made him the victim of smear campaigns. He lived most of his life with his sister but found happiness for a few years with the German actor Max Eisfeld (1863–1935), with whom he lived in Prague in 1885-86. Uninterested in politics, he was distant from most of his colleagues in the naturalist movement.
Failed as an actor, Bang earned fame as a theatre producer in Paris and in Copenhagen. He was a very productive journalist, writing for Danish, Nordic and German newspapers, developing modern reporting. His article on the fire at Christiansborg Palace is a landmark in Danish journalism.
Bang is primarily concerned with the "quiet existences", the disregarded and ignored people living boring and apparently unimportant lives. He is especially interested in describing lonely or isolated women. Ved Vejen (Katinka 1886) describes the secret and never fulfilled passion of a young wife of a stationmaster, living in a barren marriage. Tine (1889), which has the war with Prussia in 1864 (the Second War of Schleswig) as background, tells the tragic love story of a young girl on the island of Als. Stuk (Stucco, 1887) tells the story of a young man's love affair that is fading away without any real explanation, against the background of the "Gründerzeit" of Copenhagen and its superficial modernization and economic speculation. In Ludvigsbakke (1896) a young nurse squanders her love on a spineless childhood friend, who eventually deserts her in order to save his estate by marrying a rich heiress.
Some of his books, including Tina and Katinka (English titles), have been translated into many languages and filmed. One film adaptation was Bang's novel Mikaël (1904), which was adapted into a film Michael (1924) by Carl Theodor Dreyer.
Bang's works earned him renown as a leading European impressionist writer. Bang's last years were embittered by persecutions and declining health. He traveled widely in Europe, and during a lecture tour of the United States he was taken ill on the train and died in Ogden, Utah.
Burial: Vestre Kirkegard (Western Churchyard), Copenhagen, Hovedstaden Region, Denmark, Plot: Section B, row 9, plot 8 [unmarked]
Biography of Danish Literary Impressionist Herman Bang (1857-1912) (Scandinavian Studies) by Vivian Greene-Gantzberg
Hardcover: 199 pages
Publisher: Edwin Mellen Pr; 1St Edition edition (June 1997)
Amazon: Biography of Danish Literary Impressionist Herman Bang (1857-1912)
A biography of Danish novelist and avant-courier of European impressionism, Herman Bang. The text introduces Bang's contribution to European prose fiction and the personal indebtedness of a number of leading German authors and critics to his narrative style. It places Bang in the social context of European cultural history. Part one of the book identifies major motifs in Bang's political, literary and sexual legacies. The second part treats themes in his major works of fiction. By special permission of Edition Spangenberg, an account of Herman Bang's visit to America appears in the original English. This biography seeks to concentrate on how conditions depicted in Bang's works find resolution in his life.
When Men Meet: Homosexuality and Modernity by Henning Bech
Paperback: 324 pages
Publisher: University of Chicago Press; 1 edition (March 15, 1997)
Amazon: When Men Meet: Homosexuality and Modernity
For sociologist Henning Bech, the image of the male homosexual has become emblematic of the modern urban condition, in which freedom and mobility contend with transience and superficiality, in which possibility, energy, and engagement vie with uncertainty and restlessness. In this powerful and frankly provocative critique, Bech skillfully examines the distinctive relationship between urban modernism and the gay experience, exploring in compelling fashion its growing ramifications for the cultural mainstream.
Gay society has persevered, even flourished, in this highly charged urban environment, aestheticizing and sexualizing the spaces, both public and private, where men meet. With profound insight and honesty, Bech details this world, candidly reflecting on sex, friendship, love, and life as manifest in the homosexual form of existence. He convincingly demonstrates that, in the face of modern alienation, successful coping strategies developed by gay men are gradually being adopted by mainstream heterosexual society.
These adaptations are often masked by what Bech calls an "absent homosexuality, " in which sublimated themes of homosexuality and masculine love surface, only to be disavowed in expressions of social anxiety. This "absent homosexuality" acts as a kind of cultural filter, allowing key traits of gay life to be absorbed by the mainstream, while shielding heterosexual males from their own homophobic anxieties. Ultimately, Bech foresees, a postmodern convergence of hetero- and homosexual forms of exisce emergent from this urban landscape and, with it, a new masculine synthesis.
Certain to ignite immediate controversy, When Men Meet offers both a penetrating scholarly analysis of the modern homosexual condition and an unflinching cultural vision of the masculine in transition.
More LGBT History at my website: www.elisarolle.com/, My Ramblings/Gay Classics
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