The sense of a lost paradise is one that appears frequently in her prose fiction where she often laments the disappearance of paradises of all sorts--sexual, spiritual, natural--crushed by the heavy weight of religious and social sanction.
The strongest influence on Marchessault's early life was her grandmother, a half-Indian herbalist, gifted pianist, and inspired painter of hen portraits. This formidable creativity served, she said, as a kind of "alibi" that relieved her of the necessity to create in her own right.
Instead, she spent the years between thirteen (when she left school) and thirty-one in a series of jobs that ranged from washing diapers to operating a machine in a garment factory, to clerking in a bookstore and, finally, to a four-year stint pursuing delinquent accounts for the Grolier encyclopedia firm.
These jobs were punctuated by long Greyhound bus trips to Mexico and the West Coast and visits to the bars and cafes frequented by gays and intellectuals in the heavily repressive atmosphere of Duplessis's Quebec. Through this whole period, she read voraciously, becoming almost wholly self-educated.
To the horror of her family, she quit her job at Grolier after her grandmother's death, determined on an artistic career. Initially, she became a painter, and within two years achieved a one-woman show at a Montreal gallery, followed by other exhibitions in New York, Paris, and Brussels.
In 1975, she published Le crachat solaire (The Solar Spit; translated in 1988 as Like a Child of the Earth), the first volume of a three-volume autobiographical work with the overall title Comme une enfant de la terre, which won the Prix France-Québec in 1976.
Far from straightforward working-class autobiography or confessional, these volumes, which include La Mère des herbes (1980; translated as Mother of the Grass, 1989) and Des cailloux blancs pour les forêts obscures (1987; translated as White Pebbles for the Dark Forests, 1990), are lyrical and impassioned attempts to reclaim myth and experience for women in general and lesbians in particular.
In 1980, with the publication of Tryptique lesbienne, Marchessault risked her developing career by becoming the first Quebec novelist unequivocally to declare her lesbianism. The longest piece in the book, "A Lesbian Chronicle from Medieval Quebec," is a poetic and visionary account of growing up and coming out in the context of traditional, closed, and Roman Catholic Quebec.
Filled with puns and informed by an uncompromising fury at the devastation wrought by the Church's misogyny and sexual repression, the piece concludes on a note of hope as its narrator is redeemed from spiritual death by the love of another woman.
The other two pieces in the volume, "Night Cows" and "The Angel Makers," are incantatory celebrations of a nonpatriarchal universe in which sisters embrace beyond the stars, and abortion in the hands of the mother-midwife is seen as a means of reclaiming procreation from patriarchal control and a way of "interrupting the cycle of reincarnation."
In the last several years, Marchessault had devoted most of her attention to the theater. Characteristically, her plays, all successfully produced in Montreal and a number of which have also been staged in English, are inventive invocations of women writers and artists, often lesbian, which aim to supplant a dominant male literary tradition with another, female and lesbian, past.
Jovette Marchessault passed away on Dec. 31, 2012. She was 74.
Author: Klein, Yvonne M.
Entry Title: Marchessault, Jovette
General Editor: Claude J. Summers
Publication Name: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture
Publication Date: 2002
Date Last Updated July 28, 2003
Web Address www.glbtq.com/literature/marchessault_j.h
Publisher glbtq, Inc.
1130 West Adams
Chicago, IL 60607
Today's Date February 9, 2013
Encyclopedia Copyright: © 2002-2006, glbtq, Inc.
Entry Copyright © 1995, 2002 New England Publishing Associates
Mother of the Grass by Jovette Marchessault
Paperback: 176 pages
Publisher: Talonbooks (January 1, 1989)
Amazon: Mother of the Grass
Born at the end of the first volume in this autobiographical trilogy, the little Jovette sets off on her journey across the Land of Permanent Sacrifice in Mother of the Grass. Wrenched from her childhood paradise on the banks of the St. Lawrence, she is plunged into the child-battering hell of working-class Montreal, then later into the despairing din of the factories where she worked as a teenager. Her spirit continues to yearn for the light and peace of her childhood by the riverside and this book chronicles her extraordinary journey through the artists’ cafes and gay bars, the bookstores, and the streets of Montreal in the 1950s and ’60s, sustained always by the memory of her grandmother, toward a place by the river where she can write and be. Mother of the Grass is at once a brutal portrait of a world dedicated to violence against women and children and a remarkable visionary account of the growth of a major Quebec feminist artist’s creative self.
More LGBT History at my website: http://www.elisarolle.com/, My Ramblings/Gay Classics
This journal is friends only. This entry was originally posted at http://reviews-and-ramblings.dreamwidth.org/3452653.html. If you are not friends on this journal, Please comment there using OpenID.