While attending Carleton University's School of Architecture, Ottawa, from which he graduated in 1978, Douglas danced in student productions with the Ottawa Dance Centre Workshop. He continued to dance professionally in Canada with the TORONTO DANCE THEATRE (1978-83), the Judy JARVIS Dance Company (1980), the Toronto Independent Dance Enterprise (1982), DANCEMAKERS (1980-83) and EDAM (1983). (Photo: courtesy of José Navas)
In 1981 he went to New York City, founded William Douglas and Dancers and began a 10-year study of technique and composition at the Merce Cunningham Studio, supported by numerous study and project grants from the CANADA COUNCIL and the Ontario Arts Council. Returning to Montréal in 1991, he founded William Douglas Danse and capped his teaching career as a permanent guest professor of technique and composition in the Dance Department of the University of Québec.
Choreographies completed during his New York sojourn took on the character of short studies of human nature, often performed with live music: Archipelago (1986); ...and the Air (1987); E/motional/ogic (1988), which was directed and produced in a film documentary by Lisa Cochrane in 1995; and Carved in Flesh (1990). It was with the bold high-energy trio We Were Warned (1992), created with new music composer Reid Robins, that Douglas won the choreography prize from the IV Rencontres choréographiques internationales de Seine Saint-Denis in France, and went on to tour numerous Canadian and European dance festivals. The trio was followed by an accumulation cycle: the quartet Apollo (1993), quintet The Golden Zone (1994), sextet Love Is a Stranger (1995), and finally the septet Heroes (1996).
Jose Navas in a William Douglas's ballet
Douglas drew inspiration from the kinetic and human qualities of particular dancers who remained close artistic collaborators: Daniel Firth, Bill Coleman, Laurence Lemieux, Francine Liboiron, Dominique Porte and others. It was dancer José NAVAS, with whom he won a New York Bessie award in 1995, who shared his life and art. Soon after Douglas's serene and courageous death in 1996, Navas was appointed artistic director of William Douglas Danse. The company gave its last performances in 1996.
Beyond Shame: Reclaiming the Abandoned History of Radical Gay Sexuality by Patrick Moore
Paperback: 264 pages
Publisher: Beacon Press (January 14, 2004)
Amazon: Beyond Shame: Reclaiming the Abandoned History of Radical Gay Sexuality
The radical sexuality of gay American men in the 1970s is often seen as a shameful period of excess that led to the AIDS crisis. Beyond Shame claims that when the gay community divorced itself from this allegedly tainted legacy, the tragic result was an intergenerational disconnect because the original participants were unable to pass on a sense of pride and identity to younger generations. Indeed, one reason for the current rise in HIV, Moore argues, is precisely due to this destructive occurrence, which increased the willingness of younger gay men to engage in unsafe sex.
Lifting the'veil of AIDS,' Moore recasts the gay male sexual culture of the 1970s as both groundbreaking and creative-provocatively comparing extreme sex to art. He presents a powerful yet nuanced snapshot of a maligned, forgotten era. Moore rescues gay America's past, present, and future from a disturbing spiral of destruction and AIDS-related shame, illustrating why it's critical for the gay community to reclaim the decade.
More LGBT History at my website: www.elisarolle.com/, My Ramblings/Gay Classics
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