December 17th, 2014

andrew potter

Jared French & Paul Cadmus

Jared French (1905–1988) was a painter who specialized in the ancient medium of egg tempera. He was one of the masters of magic realism, part of a circle of friends and colleagues who all painted surreal imagery in egg tempera. Others included George Tooker and Paul Cadmus. (Picture: Jared French by George Platt Lynes)

French received a Bachelor of Arts degree from Amherst College in 1925. He met and befriended Cadmus in New York City, became his lover, and persuaded Cadmus to give up commercial art for "serious painting". In 1937 French married Margaret Hoening, another artist. For the next eight years Cadmus and the Frenches summered on Fire Island and formed a photographic collective called PAJAMA ("Paul, Jared, and Margaret"). French painted numerous murals for the WPA.

French's early paintings are eerie, colorful tableaux of still, silent figures derived from Archaic Greek statues. His later work shows "a kind of classical biomorphism," strange, colorful, suggestive organic forms. (P: Margaret French by Jared French)

Jungian psychology was probably an important influence upon the dream-like imagery in the paintings of French's maturity. The highly stylized, archaic-looking figures in his paintings suggest that they are representative of the ancestral memory of all mankind, what Carl Jung called "the collective unconscious". French himself was never explicit about the sources of his imagery, although on a stylistic level, the influence of early Italian Renaissance paintings by such masters as Mantegna and Piero della Francesca is evident, as it is also in the work of both Tooker and Cadmus. On the level of content, he made only one, short, public statement regarding his intentions:
My work has long been concerned with the representation of diverse aspects of man and his universe. At first it was mainly concerned with his physical aspect and his physical universe. Gradually I began to represent aspects of his psyche, until in The Sea (1946) and Evasion (1947), I showed quite clearly my interest in man's inner reality.

Paul Cadmus and Jared French by George Platt Lynes

Jared French was an American painter who specialized in the medium of egg tempera. In 1925 he met and befriended Cadmus in New York City. French persuaded Cadmus to give up commercial art for what he deemed, "serious painting". In 1937 French married Margaret Hoening, also an artist. For the next 8 years Cadmus and the Frenches summered on Fire Island and formed a photographic collective called PaJaMa ("Paul, Jared, and Margaret"). French left the USA and died, in seclusion, in Rome, in 1988.


Homesickness

Source: http://en.wikipedia.org/wiki/Jared_French

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Paul Cadmus (December 17, 1904 – December 12, 1999) was an American artist. He is best known for his paintings and drawings of nude male figures. His works combined elements of eroticism and social critique to produce a style often called magic realism. He painted with egg tempera. (Picture: Paul Cadmus by Luigi Lucioni)

In 1934 he painted The Fleet's In! while working for the Public Works of Art Project of the WPA. This painting, featuring carousing sailors, women, and a homosexual couple, was the subject of a public outcry and was removed from exhibition at the Corcoran Gallery. The publicity helped to launch his career. "The Battle of the Corcoran" was a critical turning point in the career of the young, 29 year-old Greenwich Village artist who was suddenly thrust into national prominence. Involving elements of overt censorship, it was brought back into the limelight decades later.

As a young scholar, Philip Eliasoph was given unprecedented access to work with Cadmus to record for posterity the biographical details of his career. Completing 'Paul Cadmus:Life & Work' [SUNY at Binghamton, 1979] Eliasoph realized there was a missing piece as Cadmus' notorious sailor painting was created for the first New Deal art project, the P.W.A.P. and rightfully belonged in the public domain as Federal property. 'The Fleet's In!' had been seized by Navy admirals at the behest of Roosevelt administration officials for the Corcoran's premier event showcasing the first examples of New Deal art patronage, the sexually explicit painting was overtly censored. Secretary of the Navy Swanson stated the [painting] "represents a most disgraceful, sordid, disreputable, drunken brawl.." [Time, April, 30, 1934]. Cadmus defended himself: "I owe the start of my career to the Admiral who tried to suppress it. I didn't feel any moral indignation about those sailors, even though it woundn't be my idea of a good time. I always enjoyed watching them when I was young. I somewhat envied the freedom of their lives and their lack of inhibitions."


Paul Cadmus and Jon Andersson
Paul Cadmus was an American artist. Cadmus's sister, Fidelma, was the wife of philanthropist and arts patron Lincoln Kirstein. He is best known for his paintings and drawings of nude male figures. Jon Andersson, a former cabaret singer, who became Paul Cadmus's longtime companion of 35 years, was a subject of many of his works. The two met on a pier on Nantucket in 1964, when Andersson was twenty-seven and Cadmus was fifty-nine. "I never wanted to be with anyone else", Cadmus remarked. Thirty-six years later, at sixty-three and ninety-five, when Paul died, they were still together.



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Days of Love: Celebrating LGBT History One Story at a Time by Elisa Rolle
Paperback: 760 pages
Publisher: CreateSpace Independent Publishing Platform; 1 edition (July 1, 2014)
Language: English
ISBN-10: 1500563323
ISBN-13: 978-1500563325
CreateSpace Store: https://www.createspace.com/4910282
Amazon (Paperback): http://www.amazon.com/dp/1500563323/?tag=elimyrevandra-20
Amazon (Kindle): http://www.amazon.com/dp/B00MZG0VHY/?tag=elimyrevandra-20

Days of Love chronicles more than 700 LGBT couples throughout history, spanning 2000 years from Alexander the Great to the most recent winner of a Lambda Literary Award. Many of the contemporary couples share their stories on how they met and fell in love, as well as photos from when they married or of their families. Included are professional portraits by Robert Giard and Stathis Orphanos, paintings by John Singer Sargent and Giovanni Boldini, and photographs by Frances Benjamin Johnson, Arnold Genthe, and Carl Van Vechten among others. “It's wonderful. Laying it out chronologically is inspired, offering a solid GLBT history. I kept learning things. I love the decision to include couples broken by death. It makes clear how important love is, as well as showing what people have been through. The layout and photos look terrific.” Christopher Bram “I couldn’t resist clicking through every page. I never realized the scope of the book would cover centuries! I know that it will be hugely validating to young, newly-emerging LGBT kids and be reassured that they really can have a secure, respected place in the world as their futures unfold.” Howard Cruse “This international history-and-photo book, featuring 100s of detailed bios of some of the most forward-moving gay persons in history, is sure to be one of those bestsellers that gay folk will enjoy for years to come as reference and research that is filled with facts and fun.” Jack Fritscher


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