Kron was born in Ann Arbor, Michigan. She jokes in one of her plays that her life began on her parents’ trip to Europe: “I was conceived in Venice, you know. (Well, not actually in Venice, but in the nearby town of Mestre where hotels are a lot cheaper.)”
Her mother is Ann Kron, born in 1932. Ann is a former antiques dealer and community activist. In the 1960s she founded the Westside Neighborhood Organization in Lansing, Michigan. In a time when neighborhood segregation was the norm, the WNO helped to bring people from diverse racial and socioeconomic backgrounds together. Ann converted to Judaism when she married Lisa’s father Walter Kron.
Her father is Walter Kron, a retired lawyer born in Germany in 1922. He is Jewish and a Holocaust survivor. In 1937 as the Nazi persecution of the Jews escalated, his parents sent him out of Germany via the Kindertransport program. He went back to Germany after World War II, serving as a US army interrogator of Nazi war criminals. In the 1990s Lisa and her father visited Auschwitz where his parents were murdered by the Nazis in the 1940s. She later found out that her fathers parents were actually killed in Chelmno.
Her brother is David Kron, born in 1964. He is a sound engineer and is married with a son. He says of his sister: "She is very funny, with a very sharp wit...And she always had her own way of looking at things."
In her play Well Lisa says that she felt like an outsider even in her own family because she, her parents and her brother David were the only Jews. Her maternal family is Christian and none of her Jewish paternal family survived the Holocaust. Her play 2.5 Minute Ride describes this contradiction as she recalls her mother asking her to come home for the holidays: “...she asks me every year, 'Are you going to make it home for Christmas this year?' And I say ‘ I don’t come home for Christmas Mom. I have never come home for Christmas. We are not Christians. Stop trying to trick me!"
Lisa’s family moved to Lansing, Michigan in 1965. One of the main story lines in her play Well recounts her experiences attending a predominantly African American elementary school in that city. Lisa’s parents sent her to the school in an effort to help integrate it. Lansing began mandatory racial integration in its schools three years later.
Lisa became interested in theatre at an early age. She traces her acting roots to the Purim plays that she performed as a child at her synagogue in Lansing. In junior high she was determined to be the funniest girl that people knew. “Her avenue for that was telling humorous stories, something that everyone in her family did…”
She graduated from Everett High School (Michigan) as a valedictorian in 1979. In her senior year she attended special theater classes at Lansing School District's Academic Interest Center. An early mentor was her theater teacher at the Center, the late Robert L. Burpee.
She attended Kalamazoo College, where she majored in theatre. At Kalamazoo College theater professor Lowry Marshall mentored her and helped her land a role with a national touring theater company.
She furthered her studies at Chautauqua Professional Actors Studio and the British European Studies Group in London.
Lisa Kron's major works to date are 2.5 Minute Ride and Well. Both are critically acclaimed autobiographical plays. 2.5 Minute Ride blends a trip she took with her father Walter to Auschwitz, the scene of his parents extermination by the Nazis and her family’s annual trip to an amusement park in Ohio. Lisa says in the introduction to her play: “Humor and horror are juxtaposed and you might not know for a second whether you are at Auschwitz or at the amusement park. The show does not tell you when to laugh and when to be solemn. The response is up to you.”
The play recounts her father's remarkable experiences: "When my father… heard that his parents had been sent to Auschwitz, he immediately tried to order a ham sandwich, to distance himself from Judaism. But he couldn't. He'd say to the waitress, 'Um . . . tuna fish.' "
Kron also reflects on looking at a poem on exhibit during their trip to Auschwitz: “I repeat the words that have undone me.’ People burn people here.’ ” One of the most memorable scenes in the play is when her father tells her about the death of her grandparents at Auschwitz:
…I don't think I accepted it until a few years ago, in Lansing. It was the winter and it was so cold and I was shivering… And I realized this would only happen to them once. They were old and they stood outside, lined up in the cold and they were of no use to anyone and they were killed…Well explores her mother Ann’s experiences with social activism and illness, The play uses physical illness as a metaphor for social “illnesses” such as racism. Lisa’s description of Well: “A multicharacter theatrical exploration of issues of health and illness both in the individual and in a community.” Lisa describes her mother:
My mother is a fantastically energetic person trapped in an utterly exhausted body… when she has a burst of energy it’s awe inspiring. For instance, when we were very young she decided she wanted my brother and me to be raised in a racially integrated neighborhood, and then she set about to create one.
Both works have been very well received, 2.5 Minute Ride won an Obie award among others. Well was anthologized in Best Plays of 2003-2004, listed among the year's best plays by the New York Times and received two Tony Award nominations. Ben Brantley says of 2.5 Minute Ride: “(it)… puts Ms. Kron on a level with sterling monologists like Spalding Gray, autobiographers who combine novelistic complexity with stage-smart impudence.” Michael Sommers says of Well: “Truly a beautiful play in many ways, Well paints a mother-and-daughter picture of rich, unusual artistry.”
The first college performance of Well occurred in the winter of 2008 at Kalamazoo College, Lisa's alma mater. It starred a group of students as well as local professional actress Sharon Williams. Lisa traveled to Kalamazoo for the week of the run, participating in "Lisa Kron Week in Kalamazoo" which, besides Well, included a performance of the Five Lesbian Brothers' "The Secretaries" as well as a public reading in which she read excerpts from all three of her works in addition to one of the pieces she is currently working on.
The world premiere of Lisa's play In the Wake opened at the Kirk Douglas Theatre in Los Angeles March 28, 2010. Leigh Silverman (who also directed "Well") directed. The play is about a family gathering set just after the presidential election of 2000. The main protagonist Ellen deals with the political turmoil as well as upheaval in her personal life. Charlotte Stoudt describes In the Wake: "Kron's comedy of deprecation and provocative social critique is part Sedaris, part Kushner, yet utterly her own."
Lisa’s works are humorous and poignant looks at life by someone who has often described herself an outsider. Her experiences as a Jewish woman living in a predominantly Christian Midwestern city or life as a lesbian working in traditional theatre provide rich material for her plays. Her reflections from the outside looking in are insightful but not bitter. The critic Ben Brantley says of her: “…there is never condescension in her humor. It is simply a crucial part of her navigational equipment in finding her way through life’s absurd course of non sequiturs.”
She describes her creative process in her usual humorous and self deprecating way: “I wish I had more of a technique for constructing these things. I keep banging my head against the wall until it pops through on the other side…”
She arrived in New York City in 1984. She worked as an office temp and various other jobs while pursuing an acting career. Some of her adventures during her early days in New York are chronicled in her play 101 Humiliating Stories. She was soon performing at the WOW Cafe, a creative venue for women in the performing arts in the East Village, Manhattan.
In 1989 Lisa, Maureen Angelos, Dominique Dibbell, Peg Healey and Babs Davy founded the theater company The Five Lesbian Brothers. The group writes and performs witty satiric works from a feminist and lesbian perspective. "Five Lesbian Brothers was chosen, in part, to refute the perception of lesbian theatre as combative and didactic." Their plays have been produced by the New York Theatre Workshop, the Joseph Papp Public Theater, the WOW Cafe Theatre and others. The Brothers have also toured all over the United States. The Brothers have won the Obie Award as well as other awards and have published The Five Lesbian Brothers' Guide to Life and Five Lesbian Brothers/Four Plays.
Lisa developed stories about her family into autobiographical plays and performed them in New York and London. Her work was critically well received. New York Times critic Ben Brantley said in his review: "…Fans of that beleaguered literary form, the memoir, can breathe a little more easily this morning. Lisa Kron's sparkling autobiographical play Well has arrived on Broadway… to restore the honor of a genre that was slipping into disgrace... Well opened on Broadway March 10, 2006, to critical acclaim and received two Tony nominations. Lisa was nominated for Actress in a Play and Jayne Houdyshell was nominated for Featured Actress in a Play. In spite of good reviews, Well had low attendance and closed on May 14, 2006. It has since been performed in Boston in 2007.
Oedipus at Palm Springs, by The Five Lesbian Brothers: Maureen Angelos, Dominique Dibbell, Peg Healey, and Lisa Kron (2010) won the 23rd Lambda Literary Award for LGBT Drama. Oedipus at Palm Springs follows the dark adventure of two couples on a retreat to the desert resort town. While new parents Fran and Con try desperately to jump-start their sex life, May-December love bunnies Prin and Terri can't keep their hands off each other. What begins as a hilarious, boozey weekend takes a horrific turn after a secret is revealed. Two parts comedy with a shot of tragedy shaken over ice, Oedipus at Palm Springs is a brave examination of the messy guts of relationships. "Along the way to the inevitable dark twist is much lightness and enlightenment to revel in--not just a lot of zingy one-liners about commitment, gay life in America, parenthood, and growing older, but also a real sense of these four women as women, friends, and lovers...It may be the saddest comedy you'll ever see." -The Boston Globe "Richly funny as it is, Oedipus at Palm Springs is also a serious inquiry into the unforeseen extremities of despair that can attend the search for a pure and lasting love." -Charles Isherwood, New York Times "Sensitive storytelling." -New York Magazine.
More Particular Voices at my website: http://www.elisarolle.com/, My Ramblings/Particular Voices
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