She published her first novel, Give Me Your Good Ear, in 1979, and sold it to The Women's Press in England in 1981. Her novel, Folly, was excerpted in Southern Exposure, received wide critical acclaim, and was nominated by Adrienne Rich for an ALA Gay Book Award. She published a collection of short stories, The Question She Put to Herself, in 1987, then turned to writing nonfiction in the '90's, publishing Daybreak: Meditations for Women Survivors of Sexual Abuse and Midlife: Meditations for Women.
Her recent work has appeared in Bellevue Literary Review; Just Like A Girl; Cabbage and Bones: Irish American Women's Fiction, Mom, In the Family, and Intersections: An Anthology of Banff Writers. Brady's essays and stories have been nominated for the Pushcart Prize and were finalists for the Katherine Anne Porter Fiction Prize and the Nelsen Algren Short Story contest.
An Adjunct Assistant Professor, she teaches creative writing at New York University and New York Writers Workshop @ the Jewish Community Center, and works as a free-lance editor and tutor, helping writers across the spectrum take their writing to the next stage.
A co-founder of Spinsters Ink, Brady edited such books as The Cancer Journals by Audre Lorde and The Woman Who Breathes Fire by Kitty Tsui. She also served as a panelist for The New York State Council on the Arts Literature Program and as a fiction judge for Oregon Literary Arts. She is a founding member of The New York Writers Workshop and Board President of Money for Women: The Barbara Deming Memorial Fund.
She has received grants from the Ludwig Vogelstein Foundation; New York State Council on the Arts Writer-in-Residence; New York State Council on the Arts CAPS grant; Holding Our Own; Briarcombe Foundation; and The Virginia Center for the Creative Arts Fellowship to The Tyrone Guthrie Centre, Ireland.
She lives in New York City and Woodstock and is currently circulating a new novel, Getaway.
Folly by Maureen Brady
Paperback: 224 pages
Publisher: The Feminist Press at CUNY; First Edition edition (June 1, 1994)
Folly tells the story of women without men, divorced or widowed or lesbian, workers in a textile plant in North Carolina in the 1970s, who are neighbors in a trailer camp, along with their aging mothers and teenage daughters. What brings them together-black women as well as white women-is the death of a sick baby left necessarily at home alone because there were no health care provisions in the male owned and run factory. After the baby's death, the women decide to strike. The novel records the winning of that strike, and, at the same time, the inner lives of the younger and older characters surrounding the majoy strike leaders. It is an optimistic, witty, and dramatic book, rare in that it depicts black and white women working as peers together, and rare in that it depicts a world not often to be found in literature.
More Particular Voices at my website: http://www.elisarolle.com/, My Ramblings/Particular Voices
This journal is friends only. This entry was originally posted at http://reviews-and-ramblings.dreamwidth.org/3169660.html. If you are not friends on this journal, Please comment there using OpenID.