In 1992, the music industry had not yet addressed the AIDS crisis with a unified voice, although many of its members had succumbed to the disease. Bob Caviano, a respected music manager, wrote a moving editorial in Billboard magazine disclosing his illness and challenging the industry to take action. A number of high-level executives heeded his call and formed Lifebeat.
Lifebeat, Music Fights HIV, is a national non-profit organization dedicated to reaching America’s youth with the message of HIV/AIDS prevention. Lifebeat mobilizes the talents and resources of the music industry to raise awareness and to provide support to the HIV/AIDS community.
Now in its 20th year, Lifebeat has emerged as a leading organization for prevention efforts targeting youth from 13-29. Recognizing that music has always played a significant role in the lives of young people, Lifebeat has carved out a unique niche by effectively using the power of music and celebrity to reach this population.
If Memory Serves: Gay Men, AIDS, and the Promise of the Queer Past by Christopher Castiglia & Christopher Reed
Paperback: 296 pages
Publisher: Univ Of Minnesota Press (November 22, 2011)
Amazon: If Memory Serves: Gay Men, AIDS, and the Promise of the Queer Past
The AIDS epidemic soured the memory of the sexual revolution and gay liberation of the 1970s, and prominent politicians, commentators, and academics instructed gay men to forget the sexual cultures of the 1970s in order to ensure a healthy future. But without memory there can be no future, argue Christopher Castiglia and Christopher Reed in this exploration of the struggle over gay memory that marked the decades following the onset of AIDS.
Challenging many of the assumptions behind first-wave queer theory, If Memory Serves offers a new perspective on the emergence of contemporary queer culture from the suppression and repression of gay memory. Drawing on a rich archive of videos, films, television shows, novels, monuments, paintings, and sculptures created in the wake of the epidemic, the authors reveal a resistance among critics to valuing—even recognizing—the inscription of gay memory in art, literature, popular culture, and the built environment. Castiglia and Reed explore such topics as the unacknowledged ways in which the popular sitcom Will and Grace circulated gay subcultural references to awaken a desire for belonging among young viewers; the post-traumatic (un)rememberings of queer theory; and the generation of “ideality politics” in the art of Félix González-Torres, the film Chuck & Buck, and the independent video Video Remains.
Inspired by Alasdair MacIntyre’s insight that “the possession of a historical identity and the possession of a social identity coincide,” Castiglia and Reed demonstrate that memory is crafted in response to inadequacies in the present—and therefore a constructive relation to the past is essential to the imagining of a new future.
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