Lambert was educated at Cheltenham College and Magdalen College, Oxford, where one of his professors was C. S. Lewis. At Oxford, he befriended filmmakers Karel Reisz and Lindsay Anderson, and they founded a short-lived but influential journal, Sequence, which he co-edited with Anderson. Lambert eventually left Oxford without obtaining a degree. From 1949 to 1955 he edited the periodical Sight and Sound, again with Anderson as a regular contributor. At about the same time Lambert was deeply involved in Britain's Free Cinema movement which called for more social realism in contemporary movies. He also wrote film criticism for The Sunday Times and The Guardian. In 1957 he moved to Hollywood, California, to work as a screenwriter and personal assistant to director Nicholas Ray, whose movie Bitter Victory (1957) he co-wrote. He claimed to be Ray's lover for a period of time.
Gavin Lambert became an American citizen in 1964. From 1974 to 1989, he chiefly stayed in Tangier, where he was a close friend of the writer and composer Paul Bowles. He spent the final years of his life in Los Angeles, where he died of pulmonary fibrosis on 17 July 2005. He left behind a brother, niece and nephew, and named Mart Crowley executor of his estate.
Gavin's father's half-sister was Ivy Claudine Godber aka Claudine West (1890-1943), a screenwriter who won an Oscar for her joint writing of the script of Mrs. Miniver in 1942.
His papers are currently housed at the Howard Gotlieb Archival Research Center at Boston University.
Lambert became a notable screenwriter of the Hollywood studio era. In 1954, while still living in England, he wrote his first screenplay, Another Sky, about the sexual awakening of a prim English woman in North Africa. In 1955, he also directed Another Sky in Morocco. This was followed in 1958 by the Hollywood screenplay, Bitter Victory and in 1960 by Sons and Lovers. The latter, for which Lambert gained an Academy Award nomination, is based on a novel by D. H. Lawrence. The Roman Spring of Mrs. Stone (1961) adapted a novella by Tennessee Williams on the affairs of an older actress with a young Italian gigolo. As, from the 1920s through the late 1960s, homosexuality was rarely portrayed on the screen, gay screenwriters like Lambert learned to express their personal sensibilities discreetly between the lines of a film. "The important thing to remember about 'gay influence' in movies," observed Gavin Lambert, "is that it was obviously never direct. It was all subliminal. It couldn't be direct because the mass audience would say, Hey, no way."
It was not until 1965 that Lambert adapted his own Hollywood insider novel Inside Daisy Clover (1963) for the screen. Clover, starring Natalie Wood and Robert Redford, tells the cautionary tale of a teenage movie star involved in the Hollywood studio system of the 30's and her unhappy marriage to a closeted gay leading man. However, in the film version he was not fully identified as gay because at Redford's request, the husband he played was changed from homosexual to appear as though he might be bisexual. From this time on, Lambert and Wood became lifelong friends. Another of Lambert's screenplays was I Never Promised You a Rose Garden (1977), based on a novel by Hannah Green, which describes in layman's terms a teenager's battle with schizophrenia. Later, the author also wrote the scripts for some TV movies such as Second Serve (1986) on transgender tennis player Renée Richards and Liberace: Behind the Music (1988) on gay performer Liberace. In 1997, he contributed to Stephen Frears's film A Personal History of British Cinema. He was heavily quoted in William J. Mann's book, Behind the Screen: How Gays and Lesbians Shaped Hollywood, 1910-1969.
Lambert was also a noted biographer and novelist, who focused his efforts on biographies of gay and lesbian figures in Hollywood.
According to screenwriter and cinema Professor Joseph McBride, he was "a keenly observant, wryly witty chronicler of Hollywood's social mores and artistic achievements." He wrote biographies on some Hollywood stars, such as On Cukor (1972) on film director George Cukor and Norma Shearer: A Life (1990) on the Canadian actress Norma Shearer. His book, Nazimova: A Biography (1997) was the first full-scale account of the private life and acting career of lesbian actress Alla Nazimova. He was the author of the memoir Mainly About Lindsay Anderson (2000) (whose title echoed that of Anderson's own work, About John Ford).
He also wrote the book GWTW: The Making of Gone With the Wind (Little, Brown and Company, 1973). Working as a Hollywood screenwriter, Lambert was able to interview and gain personal remembrances of those involved with the classic 1939 film, including dismissed director George Cukor and actress Vivien Leigh (Scarlett O'Hara).
His final biography, Natalie Wood: A Life (2004) supplied an insider's look at actress Natalie Wood and chronicled everything concerning her life, since Lambert was a friend of Wood for sixteen years.The book was praised by Natalie Wood's daughter, Natasha Gregson Wagner, as "a wonderful biography on my Mom. It will be the definitive biography on my mother." Lambert's biography includes Wood's relationship with Elvis Presley, and interviews with the people who knew Wood best, such as Robert Wagner, Warren Beatty, Paul Mazursky, and Leslie Caron. In his book, Lambert controversially claimed that Wood frequently dated gay and bisexual men, including director Nicholas Ray and actors Nick Adams, Raymond Burr, James Dean, Tab Hunter, and Scott Marlowe. Lambert said he was also involved with Ray and that Wood supported homosexual playwright Mart Crowley (a later lover of Lambert's) in a manner that made it possible for him to write his play, The Boys in the Band (1968). Lambert's final book was The Ivan Moffat File: Life Among the Beautiful and Damned in London, Paris, New York and Hollywood (2004).
Lambert also wrote seven novels primarily with Hollywood settings, among them The Slide Area: Scenes of Hollywood Life (1959), a collection of seven short stories that portray a bevy of tinsel-town lowlifes, Inside Daisy Clover (1963), The Goodbye People (1971) about Hollywood's beautiful people, and Running Time (1982), a portrait of an indefatigable woman from child starlet to screen goddess, but also a unique life history of the American film industry. In 1996, Lambert wrote the introduction to 3 Plays, a collection of works by his longtime friend, Mart Crowley.
Hollywood Life: The Glamorous Homes of Vintage Hollywood foreword by Gavin Lambert, photography by Eliot Elisofon
Hardcover: 192 pages
Publisher: Greybull Press (April 2, 2004)
Amazon: Hollywood Life: The Glamorous Homes of Vintage Hollywood
Imagine yourself cruising over to Zsa Zsa's to borrow a cup of gems or dropping by Steve McQueen's for a dip in the pool--or maybe you fancy a sauna with Charlton Heston? In 1969, Life photographer Eliot Elisofon gained an insider's access to the dream homes and private lives of Hollywood's most intriguing legends, from Mary Pickford to Natalie Wood, George Cukor to Tony Curtis. Some of his photographs were published in 1969 in his book Hollywood Style--they have since become the ultimate map of stars' homes, one that takes an intimate tour through private Hollywood in its glory days. As Hollywood Life reveals, the styles of a stars' homes are as diverse as the personalities who dwell in them. Whether Mediterranean, Tudor, or designed by such uber-chic Hollywood decorators as Billy Haines and Tony Duquette, together these houses create the hodgepodge that is Hollywood style.
A fascinating compendium of bad taste with charm all it's own. If you look at the pictures in Architectural Digest, or magazines of that kind, they look like homes where nobody lives. (Elisofon) had a way of capturing the personality of a person without them being in the room. It was like nothing I've ever seen. Arthur Knight
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