Müller is noted for her works depicting the effects of violence, cruelty and terror, usually in the setting of Communist Romania under the repressive Nicolae Ceauşescu regime which she has experienced herself. Many of her works are told from the viewpoint of the German minority in Romania and are also a depiction of the modern history of the Germans in the Banat, and Transylvania. Her much acclaimed 2009 novel The Hunger Angel (Atemschaukel) portrays the deportation of Romania's German minority to Stalinist Soviet Gulags during the Soviet occupation of Romania for use as German forced labor.
Müller has received more than twenty awards to date, including the Kleist Prize (1994), the Aristeion Prize (1995), the International IMPAC Dublin Literary Award (1998) and the Franz Werfel Human Rights Award (2009). On 8 October 2009, the Swedish Academy announced that she had been awarded the Nobel Prize in Literature, describing her as a woman "who, with the concentration of poetry and the frankness of prose, depicts the landscape of the dispossessed".
The Hunger Angel by Herta Müller
Hardcover: 304 pages
Publisher: Metropolitan Books; First Edition edition (April 24, 2012)
Amazon: The Hunger Angel: A Novel
Amazon Kindle: The Hunger Angel: A Novel
A masterful new novel from the winner of the 2009 Nobel Prize, hailed for depicting the "landscape of the dispossessed" with "the concentration of poetry and the frankness of prose" (Nobel Prize Committee)
It was an icy morning in January 1945 when the patrol came for seventeen-year-old Leo Auberg to deport him to a camp in the Soviet Union. Leo would spend the next five years in a coke processing plant, shoveling coal, lugging bricks, mixing mortar, and battling the relentless calculus of hunger that governed the labor colony: one shovel load of coal is worth one gram of bread.
In her new novel, Nobel laureate Herta Müller calls upon her unique combination of poetic intensity and dispassionate precision to conjure the distorted world of the labor camp in all its physical and moral absurdity. She has given Leo the language to express the inexpressible, as hunger sharpens his senses into an acuity that is both hallucinatory and profound. In scene after disorienting scene, the most ordinary objects accrue tender poignancy as they acquire new purpose—a gramophone box serves as a suitcase, a handkerchief becomes a talisman, an enormous piece of casing pipe functions as a lovers' trysting place. The heart is reduced to a pump, the breath mechanized to the rhythm of a swinging shovel, and coal, sand, and snow have a will of their own. Hunger becomes an insatiable angel who haunts the camp, but also a bare-knuckled sparring partner, delivering blows that keep Leo feeling the rawest connection to life.
Müller has distilled Leo's struggle into words of breathtaking intensity that take us on a journey far beyond the Gulag and into the depths of one man's soul.
More Spotlights at my website: http://www.elisarolle.com/, My Lists/Gay Novels
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