In 1918, de Lanux met and married Pierre de Lanux, a French writer and diplomat, who was in America on a visit, and the two would later have one daughter, Anne. World War I had just ended when the two married, and they immediately moved to Paris. They moved in the literary circles of André Gide, Ernest Hemingway, and Bernard Berenson. Though married, de Lanux was bisexual.
She is best known as having been one of the many long-term lesbian lovers of writer and artist Natalie Barney. The two met through common friends, at Barney's popular Paris Salon and became an on-again-off-again couple for many years.
Due in part to Jean Chalon's early biography of Barney, published in English as Portrait of a Seductress, she has become more widely known for her many relationships than for her writing or her salon. She once wrote out a list, divided into three categories: liaisons, demi-liaisons, and adventures.
Colette, an actress, was a demi-liaison, while the artist and furniture designer Eyre de Lanux, with whom she had an off-and-on affair for several years, was listed as an adventure. While Barney certainly took other lovers while she and de Lanux were involved romantically, it is unknown as to whether de Lanux did the same. What is known is that even after the affair ended, the two remained close friends.
Eyre de Lanux by Arnold Genthe
Her designs first came into notice during the early 1920s, and were often exhibited with those of designers Eileen Gray and Jean-Michel Frank. While still in France, she wrote short stories of her European travels. In 1955, her husband died. Shortly afterward, she returned to the U.S., and in the 1960s she wrote for Harper's Bazaar.
In her later years she wrote and illustrated a number of children's books. She died at the age of 102, at the Dewitt Nursing Home in Manhattan.
Further Readings :
Sapphic Modernities: Sexuality, Women and National Culture by Jane Garrity & Laura Doan
Hardcover: 272 pages
Publisher: Palgrave Macmillan; First Edition edition (June 11, 2006)
Amazon: Sapphic Modernities: Sexuality, Women and National Culture
Sapphic Modernities marks the first attempt to examine the representation of the lesbian in modernity from the multiple perspectives of literary, visual, and cultural studies, seeking collectively to answer: What range of "sapphisms" circulated during the interwar period, and what forms of cultural production enabled the lesbian's emergence and self-definition? This exciting collection's aim is to show how the sapphic figure, in her multiple and contradictory guises, refigures the relation between public and private space, interrogates the category of nationality, and redefines what it means to be a modern citizen in the early decades of the twentieth century.
More Designers at my website: http://www.elisarolle.com/, My Ramblings/Art
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