Jack Smith was raised in Texas where he made his first film, Buzzards over Baghdad, in 1952. He moved to New York in 1953.
The most famous (and arguably the most notorious) of Smith's productions is Flaming Creatures (1962). The film is a satire of Hollywood B movies and tribute to actress Maria Montez, who starred in many such productions. However, authorities considered some scenes to be pornographic. Copies of the movie were confiscated at the premiere and it was subsequently banned (technically, it still is to this day). Despite not being viewable, the movie gained some notoriety when footage was screened during Congressional hearings and right-wing politician Strom Thurmond mentioned it in anti-porn speeches.
Smith's next movie Normal Love was the only work in Smith's oeuvre with an almost conventional length (120 mins.), and featured multiple underground stars, including Mario Montez, Diane di Prima, Tiny Tim, Francis Francine, Beverley Grant, John Vaccaro, and others. The rest of his productions consists mainly of short movies, many never screened in a cinema, but featured in performances and constantly re-edited to fit the stage needs (including Normal Love).
Apart from appearing in his own work, Smith worked as an actor. He played the lead in Andy Warhol's unfinished film Batman Dracula, Ken Jacobs's Blonde Cobra, and appeared in several theater productions by Robert Wilson.
He also worked as a photographer and founded the Hyperbole Photographic Studio in New York. In 1962, he released The Beautiful Book, a collection of pictures of New York artists, that was re-released by Granary Books.
Jack Smith – Untitled, c.1961-1962 – courtesy of Jack Smith Archive and Gladstone Gallery, New YorK and Brussels
Jack Smith (November 14, 1932 – September 25, 1989) was an American filmmaker, actor, and pioneer of underground cinema. He is generally acclaimed as a founding father of American performance art, and has been critically recognized as a master photographer, though his photographic works are rare and remain largely unknown. After his last film, No President (1967), Smith created performance and experimental theatre work until his death on September 25, 1989 from AIDS-related pneumonia.
After his last film, No President (1967), Smith created performance and experimental theatre work until his death on September 25, 1989 from AIDS-related pneumonia.
In 1978 Sylvère Lotringer conducted a 13 page interview with Smith (with photos) in Columbia University's philosophy department publication of Semiotext(e) called Schizo-Culture: The Event, The Book.
In 1989, Penny Arcade, New York performance artist and former Warhol superstar tried to salvage Smith's work from his apartment after his long bout with AIDS and subsequent death, as per Smith's request. Arcade attempted to preserve the apartment as Smith had transformed it - an elaborate stage set for his never to be filmed epic Sinbad In a Rented World - as a museum dedicated to Jack Smith and his work. This effort failed.
In 1992, performer Ron Vawter recreated Smith's performance "What's Underground about Marshmallows" in Roy Cohn/Jack Smith which he presented in a live performance and which was later released as a film directed by Jill Godmilow and produced by Jonathan Demme.
Until recently, Smith's archive was co-managed by Arcade, alongside the film historian J. Hoberman via their corporation, The Plaster Foundation, Inc. Within ten years of Smith's death, the Foundation, operating largely without funding but through donations and good will, was able to restore all of Smith's films, create a major retrospective curated by Edward Leffingwell at PS 1, the Contemporary Arts Museum, now part of MOMA, put his films back into international distribution, and publish several books on Jack Smith and his work.
In January 2004, the New York Surrogate Court ordered Hoberman and Arcade to return Smith's archive to his legal heir, estranged, surviving sister Sue Slater. Hoberman and Arcade fought to dismiss Slater's claim, arguing that she abandoned Jack's apartment and its contents; the Plaster Foundation created the archive and took possession of the work only after 14 years of repeated, documented attempts at communication with her. In a six-minute trial, Judge Eve Preminger rejected the Foundation's argument and awarded the archive to Slater.
By October 2006, the Foundation had still refused to surrender Smith's archive to the estate, claiming money owed them for expenses associated with managing the archive—and hoping Smith's work would be bought by an appropriate public institution that could safeguard his legacy and keep the works in the public eye. According to curator Jerry Tartaglia, the dispute was finally resolved as of 2008, with the purchase of Smith's estate by the Gladstone Gallery.
Smith was one of the first proponents of the aesthetics which came to be known as 'camp' and 'trash', using no-budget means of production (e.g. using discarded color reversal film stock) to create a visual cosmos heavily influenced by Hollywood kitsch, orientalism and with Flaming Creatures created drag culture as it is currently known. Smith was heavily involved with John Vaccaro, founder of The Playhouse of the Ridiculous, whose disregard for conventional theater practice deeply influenced Smith's ideas about performance art. In turn, Vaccaro was deeply influenced by Smith's aesthetics. It was Vaccaro who introduced Smith to glitter and in 1966 and 1967, Smith created costumes for Vaccaro's Playhouse of The Ridiculous. Smith's style influenced the film work of Andy Warhol as well as the early work of John Waters. While all three were part of the 1960s gay arts movement, Vaccaro and Smith refuted the idea that their sexual orientation was responsible for their art.
Smith has also been referenced by artists such as Laurie Anderson, Cindy Sherman and Mike Kelley, filmmakers David Lynch and Matthew Barney, photographer Nan Goldin, musicians John Zorn, Lou Reed and David Byrne, and theatre director Robert Wilson. Theater legend Richard Foreman writes, 'Jack Smith is the hidden source of practically everything that's of any interest in the so-called experimental theatre today.' Tony Conrad produced two CDs from the Jack Smith tape archives subtitled 56 Ludlow Street that were recorded at 56 Ludlow Street between 1962 and 1964.
Flaming Creature: The Life and Time of Jack Smith, Artist, Performer, Exotic Consultant by Edward Leffingwell
Paperback: 300 pages
Publisher: Serpent's Tail; First Edition edition (May 1, 1997)
Amazon: Flaming Creature: The Life and Time of Jack Smith, Artist, Performer, Exotic Consultant
As close as we have to a biography of Jack Smith.
More Photographers at my website: http://www.elisarolle.com/, My Ramblings/Art
This journal is friends only. This entry was originally posted at http://reviews-and-ramblings.dreamwidth.org/3880104.html. If you are not friends on this journal, Please comment there using OpenID.