In a psychoanalytic study, John Shawcross analyzed Milton's intense relationship with his boyhood friend Charles Diodati, concluding that "The total view of Diodati seen from the extant evidence certainly points to a homosexual nature; of Milton, to a latent homosexualism which was probably repressed consciously (as well as subconsciously) from becoming overt except with Diodati."
There is no evidence that Milton was ever again so attached to another male after Diodati's early death in 1638. In 1642, the poet married the seventeen-year-old Mary Powell and subsequently remarried twice following the deaths of his wives.
Still, his attachment to Diodati may help explain his attitudes toward homosexuality in Paradise Regained (1670) and other works. The homosexual allusions of Elegy VII (1627), the epigraphs on the title pages of the Masque (1637) and Poems (1645), which are from Virgil's homoerotic second eclogue, and the highly charged homoeroticism and homosexual allusions of his elegy for Diodati, Epitaphium Damonis (1638), all suggest both Milton's deep familiarity with the classical literature of homosexuality and his capacity for discovering in it emotions correlative to his own.
In various prose works, Milton unremarkably lists sodomy among the numerous offenses against chastity and evokes Sodom as a precedent of God's anger with the ungodly. More interesting are the notes recorded in the Trinity manuscript for a proposed dramatization of the Sodom story. In "Cupids funeral pile. Sodom burning," Milton planned to depict the residents of the city "every one with mistresse, or Ganymed," and to feature an angelic debate about "love & how it differs from lust."
What is clear from these notes is that though Milton recognized homosexuals and heterosexuals as distinct classes, he did not conceive of the Sodom story as referring exclusively to homosexuality. God's destruction of Sodom signified to Milton the generalized issue of lust, as is also clear from the citation of "that bituminous Lake where Sodom flam'd" in Paradise Lost (10.562) in association with the bitter ashes tasted by the fallen angels after the fall of Adam and Eve.
In Paradise Lost (1.502-506), Milton juxtaposes the Sodom episode with the grisly tale recounted in Judges 19 of the Levite concubine who is gang-raped to death. He seems to have interpreted both biblical stories as warnings against rape and inhospitality.
Milton's most significant literary engagement with homosexuality occurs in Paradise Regained. There he tactfully incorporates a homosexual temptation into the famous banquet scene by means of significant allusions to Alexander the Great, Scipio Africanus, Ganymede, and Hylas.
After citing Alexander and Scipio as examples of individuals unsusceptible to heterosexual temptations, Satan tempts Christ with a seductive tableau vivant that includes "Tall stripling youths rich clad, of fairer hew / Then Ganymed or Hylas" (2.352-53). Milton's carefully modulated homoerotic temptation thus reaches its culmination in the alluring presence of beautiful youths who symbolize the power of homosexual love to attract figures as stalwart as Jove and Hercules and as restrained as Alexander and Scipio.
Author: Summers, Claude J.
Entry Title: Milton, John
General Editor: Claude J. Summers
Publication Name: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture
Publication Date: 2002
Date Last Updated August 14, 2002
Web Address www.glbtq.com/literature/milton_j.html
Publisher glbtq, Inc.
1130 West Adams
Chicago, IL 60607
Today's Date November 8, 2012
Encyclopedia Copyright: © 2002-2006, glbtq, Inc.
Entry Copyright © 1995, 2002 New England Publishing Associates
Homosexuality in Renaissance England by Alan Bray
Paperback: 165 pages
Publisher: Columbia University Press (April 15, 1995)
Amazon: Homosexuality in Renaissance England
Alan Bray's Homosexuality in Renaissance England is a milestone work, one of those rare books that can be said to have virtually milestone work, one of those rare books that can be said to have virtually inaugurated a field of study--and one which remains a standard, comprehensive introduction to the subject. Since it was first published in England in 1982, however, it has been difficult to find in America.
Examining the image of the sodomite in sixteenth- and seventeenth- century literature and polemic, Bray demonstrates how widely that image differed from the everyday occurrences of male homosexual behavior in ordinary households and schools.
Homosexuality in Renaissance England explores how men who engaged in sodomy reconciled this behavior with their society's violent loathing for the sodomite, and shows how a social more that had remained stable for centuries changed dramatically toward the end of the seventeenth century.
Widely considered the best study of its kind Homosexuality in Renaissance England clearly shows why the modern image of "the homosexual" cannot be applied to the early modern period, when homosexual behavior was viewed in terms of the sexual act and not an individual's broader identity.
Bray's classic work goes on to show how the early eighteenth century saw the earliest emergence of a "homosexual identity." Finally available to a broad general audience in America, Homosexuality in Renaissance England is a must-read for anyone interested in sexuality during the early modern period.
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