The son of John Wolfenden, chair of the Wolfenden Report which recommended the legalisation of male homosexual acts in Britain, Jeremy Wolfenden was himself homosexual. He was regarded by others of his generation as a leader and a man of distinct individualism. He won a scholarship to Eton where he was known as 'cleverest boy in England', then to his father's alma mater Magdalen College, Oxford, where he obtained a first class degree in Philosophy, Politics and Economics. He subsequently became a Prize Fellow of All Souls. His Finals examiner at Oxford, after giving him eight alphas, wrote: "He wrote as though it were all beneath him; he wrote as though it were all such a waste of his time"
Wolfenden was recruited by the Secret Intelligence Service (SIS) before becoming the Daily Telegraph foreign correspondent in Moscow where he indulged in his twin passions for sex and alcohol and was eventually compromised by the KGB. He struck up friendships with Guy Burgess, the British defector, and Martina Browne, the nanny employed by Ruari and Janet Chisholm, who were working for SIS and were instrumental in the defection of Oleg Penkovsky — a colonel in Soviet military intelligence — who was responsible for disabusing the Kennedy administration of the myth that the 'missile gap' was in the Soviet's favour. Wolfenden subsequently came under pressure from both SIS and the KGB while in Moscow and swapped roles with the Telegraph's Washington correspondent, where he married Martina Browne.
He died aged 31 in what appeared to be suspicious circumstances in Washington. It was claimed he had fainted in the bathroom, cracked his head against the washbasin and died of a cerebral haemorrhage. It is now thought likely that he died of liver failure brought on by his excessive drinking.
Wolfenden's own views survive. For instance, in a letter to Michael Parsons, an Oxford friend, from Paris, January 1961:
"There is just no such thing as anyone’s real personality. Personalities are the product of the initial feelings or attitudes someone takes up and the needs of the situation they find themselves in...and, for that matter, the initial feelings themselves are the product of earlier conflicts of that sort. There is a dialectic of personality, just as there is dialectic of history (and it’s just as unpredictable)."A short biography of Wolfenden appears in the book The Fatal Englishman by Sebastian Faulks. Julian Mitchell's play Consenting Adults (2007), screened by BBC4, is based on the relationship of father and son, played by Charles Dance and Sean Biggerstaff respectively. Biggerstaff won a BAFTA Scotland for Best Television Actor for his performance.
The Fatal Englishman: Three Short Lives by Sebastian Faulks
Paperback: 336 pages
Publisher: Vintage (March 12, 2002)
Amazon: The Fatal Englishman: Three Short Lives
Amazon Kindle: The Fatal Englishman: Three Short Lives
In The Fatal Englishman, his first work of nonfiction, Sebastian Faulks explores the lives of three remarkable men. Each had the seeds of greatness; each was a beacon to his generation and left something of value behind; yet each one died tragically young.
Christopher Wood, only twenty-nine when he killed himself, was a painter who lived most of his short life in the beau monde of 1920s Paris, where his charm, good looks, and the dissolute life that followed them sometimes frustrated his ambition and achievement as an artist.
Richard Hillary was a WWII fighter pilot who wrote a classic account of his
experiences, The Last Enemy, but died in a mysterious training accident while defying doctor’s orders to stay grounded after horrific burn injuries; he was twenty-three.
Jeremy Wolfenden, hailed by his contemporaries as the brightest Englishman of
his generation, rejected the call of academia to become a hack journalist in Cold War Moscow. A spy, alcoholic, and open homosexual at a time when such activity was still illegal, he died at the age of thirty-one, a victim of his own recklessness and of the peculiar pressures of his time.
Through the lives of these doomed young men, Faulks paints an oblique
portrait of English society as it changed in the twentieth century, from the Victorian era to the modern world.
More LGBT History at my website: http://www.elisarolle.com/, My Ramblings/Gay Classics
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