Ferzan Ozpetek was born in Istanbul in 1959. When he was a young student in 1976, he decided to move to Italy to study Cinema History at Sapienza University of Rome. He completed his education attending art history and costume design classes at the Navona Academy. He also attended director classes at the Silvio D'Amico National Academy of Dramatic Art.
After receiving stage experience with Julian Beck’s Living Theatre, he moved to the cinema landscape, by working as a director assistant to Massimo Troisi, Maurizio Ponzi, Ricky Tognazzi, Sergio Citti and Francesco Nuti. His first work was as Troisi’s assistant director for Scusate il ritardo, followed by Ponzi’s Sono contento, where he had a small role performing as a “madonnaro”.
His directorial debut was with Hamam, an Italian, Spanish and Turkish co-production. The movie, released in May 1997, was presented at the 50th edition of the Cannes Film Festival in the Quinzaine des Realisateurs session. The movie was presented in other international festivals and was sold for distribution in more than 20 countries around the world.
In 1999, he directed Harem Suare, set in his native land of Turkey, telling the tormented love story between the sultan’s favourite, Safiye, and the eunuch Nadir, with the fall of the Ottoman Empire in the background. The story was written by Özpetek himself in collaboration with Gianni Romoli, who also produced the movie with Tilde Corsi and their R&C Production company. The film was presented in the Un Certain Regard section at the Cannes Film Festival, as well as at the London Film Festival and at the Toronto International Film Festival.
In 2001, Özpetek directed His Secret Life (Le Fate Ignoranti), starring Margherita Buy and Stefano Accorsi, a sweet and easy to watch drama about homosexuality and bonding and friendship of several kinds of outsiders. The movie won numerous awards including three Globo d'oro and four Nastro d'Argento awards.
Facing Windows (La finestra di fronte) (2003) was his next film. It starred Giovanna Mezzogiorno, Raoul Bova, Filippo Nigro and Massimo Girotti, in what turned out to be his last performance on film. The film won multiple awards including: five David di Donatello, four Ciak d’Oro and three Globo d'oro awards. The film's success in Italy and the rest of Europe, led it to be distributed by Sony Pictures Classics in North America.
Once again pairing up with producers Gianni Romoli and Tilde Corsi, in 2005, Özpetek directed Cuore sacro, which received 12 nominations at the David di Donatello awards, where Barbora Bobulova won the Best Actress award. The film also won the award for production design.
His next film, Saturno contro, was released in 2007. It featured a very rich cast: Pierfrancesco Favino, Luca Argentero, Isabella Ferrari and Ambra Angiolini, and also Margherita Buy and Stefano Accorsi with whom he worked with earlier, in Le fate ignoranti. The movie won four Ciak d’oro, five Globo d'oro and four Nastro d'Argento awards. Angiolini, in her acting debut, won the David di Donatello award for the Best Actress in a Supporting Role.
That same year, Özpetek served on the jury at the 64th Venice International Film Festival. He also directed commercial ads, including a spot for the AIRL (the Italian association for cancer research) that featured Isabella Ferrari.
In 2008, Özpetek ended his partnership with producers Romoli and Corsi, and started a new one with Domenico Procacci and his Fandango company. Also, for the first time, he began work on a movie that was not based on his own original story idea. The film was based on a novel written by Melania Gaia Mazzucco called Un giorno perfetto (A Perfect Day). The film version of Un giorno Perfetto starred Isabella Ferrari and Valerio Mastandrea and was presented at the 65th Venice International Film Festival. It grossed 3 million euro at the box-office.
In 2008, the Museum of Modern Art in New York City, dedicated a retrospective on him, screening all of his movies. He has been one of the few Italian directors to be given this honour.
In April 2009, he directed a short movie called Nonostante tutto è Pasqua (Despite Everything it's Easter), a segment of the project L’Aquila 2009 - Cinque registi tra le macerie, in which multiple directors took on subjects regarding the 2009 L'Aquila earthquake. Özpetek’s short was dedicated to Alessandra Cora, an aspiring singer who died in her house’s rubble.
His next film Mine Vaganti was released in 2010. It was co-written with Ivan Cotroneo and stars Riccardo Scamarcio, Alessandro Preziosi, Nicole Grimaudo and Ennio Fantastichini. It is a comedy concerning the family issues of a household in Lecce. This is one of the few movies Özpetek has set outside Rome, a city very close to his heart. On 22 May 2010 the city of Lecce declared Özpetek honorary citizen.
The movie was presented out of competition at the 70th edition of the Berlinale as well as at the Tribeca Film Festival 2010, getting a special recognition of the jury.
Rosso Istanbul (Italian Edition) by Ferzan Ozpetek
Publisher: Mondadori (January 1, 2013)
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Tutto comincia una sera, quando un regista turco che vive a Roma decide di prendere un aereo per Istanbul, dov'è nato e cresciuto. L'improvviso ritorno a casa accende a uno a uno i ricordi: della madre, donna bellissima e malinconica; del padre, misteriosamente scomparso e altrettanto misteriosamente ricomparso dieci anni dopo; della nonna, raffinata «principessa ottomana »; delle «zie», amiche della madre, assetate di vita e di passioni; della fedele domestica Diamante. Del primo aquilone, del primo film, dei primi baci rubati. Del profumo di tigli e delle estati languide, che non finiscono mai, sul Mar di Marmara. E, ovviamente, del primo amore, proibito, struggente e perduto. Ma Istanbul sa cogliere ancora una volta il protagonista di sorpresa. E lo trattiene, anche se lui vorrebbe ripartire. Perché se il passato, talvolta, ritorna, il presente ha spesso il dono di afferrarci: basta un incontro, una telefonata, un graffito su un muro. I passi del regista si incrociano con quelli di una donna. Sono partiti insieme da Roma, sullo stesso aereo, seduti vicini. Non si conoscono. Non ancora. Lei è in viaggio di lavoro e di piacere, in compagnia del marito e di una coppia di giovani colleghi. Ma a Istanbul accadrà qualcosa che cambierà per sempre la sua vita. Tra caffè e hamam, amori irrisolti e tradimenti svelati, nostalgia e voluttà, i destini del regista e della donna inesorabilmente si sfiorano e, alla fine, convergono. Questo libro è una dichiarazione d'amore a una città, Istanbul. Rossa come i melograni, come i vecchi tram, come i carrettini dei venditori di simit, come certi tramonti sul Bosforo che mischiano lo scarlatto al blu, come lo smalto sulle unghie di una madre molto amata. Ed è, insieme, un libro sull'amore, nelle sue mille sfumature. L'amore che non conosce età, paese, tempo, ragione, differenze di sesso. Che sceglie e basta. Una storia romantica, imprevista e nostalgica che racconta di un regista, di una città e di un ritorno. E poi, come una scatola magica, di una storia nella storia. Proprio come in un film di Ferzan Ozpetek, se decidesse di raccontare la sua.
More LGBT History at my website: www.elisarolle.com/, My Ramblings/Persistent Voices
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