Rukeyser was born and lived most of her life in New York City. The elder of two daughters, she grew up in an upper-middle class family of Midwestern and German-Jewish descent. Accustomed to both chauffeurs and nursemaids during her childhood, Rukeyser was educated at the Ethical Culture School in New York City, followed by two years at Vassar College.
Writer and activist, she attended the 1933 trial of the Scottsboro Nine in Alabama, covered the antifascist Olympics in Barcelona in 1936 as correspondent for London's Life and Letters Today, taught at the California Labor School in 1945, traveled to Hanoi in 1972 as a peace ambassador, and stood in silent protest outside South Korean political prisoner and poet Kim Chi-Ha's jail cell in 1975.
Her poems engage with much of twentieth-century, Left history in the United States, yet are also personal and autobiographical. Her work reflects an integrated political-aesthetic vision that refused the conventional separation of private and public spheres.
Author of eighteen books of poetry, four of prose, children's books, and numerous translations, Rukeyser won many prestigious awards during her lifetime, including the Yale Younger Poets Prize (1935) and election to the National Institute of Arts and Letters (1967).
Details of Rukeyser's personal life remain a matter of speculation. Rukeyser herself never wrote or spoke publicly about her sexual identity. She was briefly married in 1945 and gave birth to her only child, William Rukeyser, in 1947. (Her son's father was not her former husband.) She also had lesbian relationships.
In 1978, she accepted an invitation to participate in a Lesbian Poetry Reading at the annual conference of the Modern Language Association, a decision that seems to reflect her intention to assume a more public lesbian identity. Unfortunately, she suffered a stroke prior to this event and was unable to attend.
There is no doubt that her work has been enormously important to many feminist and lesbian readers. Her poems constantly break silence around previously unwritten areas of female experience, for example, sex, menstruation, breast-feeding, mother-daughter relationships, and female aging. As she wrote in her well-known tribute to the sculptor Käthe Kollwitz, "What would happen if one woman told the truth about her life? / The world would split open."
Significantly, she was always particularly attuned to the power of silencing. She wrote of being "unable to speak, in exile from myself" ("The Poem as Mask") and regularly asked her students to write about what they "could not say." She states pointedly in the "The Speed of Darkness": "I am working out the vocabulary of my silence."
In "The Transgress," she describes herself "thundering on tabu," and alludes to the "bed of forbidden things finally known." In "Letter to the Front," she enjoins her readers not to "fear the hidden." Such lines can be read as a direct response to the cultural silences surrounding homosexuality.
Rukeyser's poetics and politics were never separatist. She was an extraordinarily inclusive, democratic poet whose work affirms "the faces of all love" ("Private Life of the Sphinx"). Her poems address a broadly conceived audience, including men and women: "A people various as life / whose strength is in our many voices and our hope / of a future of many" ("Speech of the Mother").
Author: Herzog, Anne F.
Entry Title: Rukeyser, Muriel
General Editor: Claude J. Summers
Publication Name: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture
Publication Date: 2002
Date Last Updated November 16, 2002
Web Address www.glbtq.com/literature/rukeyser_m.html
Publisher glbtq, Inc.
1130 West Adams
Chicago, IL 60607
Today's Date February 12, 2014
Encyclopedia Copyright: © 2002-2006, glbtq, Inc.
Entry Copyright © 1995, 2002 New England Publishing Associates
The Life of Poetry by Muriel Rukeyser
Paperback: 256 pages
Publisher: Paris Press (September 1, 1996)
Amazon: The Life of Poetry
Observing that poetry is a natural part of our pastimes and rituals, Muriel Rukeyser opposes elitist attitudes and confronts Americans' fear of feeling. Multicultural and interdisciplinary, this collection of essays and speeches makes an irrefutable case for the centrality of poetry in American life.
More LGBT History at my website: www.elisarolle.com/, My Ramblings/Gay Classics
This journal is friends only. This entry was originally posted at http://reviews-and-ramblings.dreamwidth.org/4196707.html. If you are not friends on this journal, Please comment there using OpenID.