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Farley Earle Granger, Jr. was an American actor, best known for his two collaborations with director Alfred Hitchcock; Rope in 1948 and Strangers on a Train in 1951.
Born: July 1, 1925, San Jose, California, United States
Died: March 27, 2011, New York City, New York, United States
Education: North Hollywood High School
Find A Grave Memorial# 67599447
Books: Include Me Out: My Life from Goldwyn to Broadway
Parents: Farley Earle Granger I, Eva Hopkins
Anniversary: November 22, 1963

Farley Earle Granger was an American actor, best known for his collaborations with Alfred Hitchcock, Rope and Strangers on a Train. Despite his three unsuccessful Broadway experiences, Granger continued to focus on theater in the early 1960s. He accepted an invitation from Eva Le Gallienne to join her National Repertory Theatre. During their first season, while the company was in Philadelphia, John Fitzgerald Kennedy was assassinated. The President had attended NRT's opening night and post-performance gala in the nation's capital, so the news hit everyone in the company especially hard. Granger had become close friends with production supervisor Robert Calhoun, and although both had felt a mutual attraction, they never had discussed it. That night they became lovers.

Together from 1963 to 2008: 45 years.
Farley Granger (July 1, 1925 – March 27, 2011)
Robert Calhoun (1931 - May 24, 2008)
Anniversary: November 22, 1963

Days of Love: Celebrating LGBT History One Story at a Time
ISBN-13: 978-1500563325 (CreateSpace-Assigned)
ISBN-10: 1500563323
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School: North Hollywood High School (5231 Colfax Ave, North Hollywood, CA 91601) is a public high school in Valley Village in Los Angeles, California. NHHS is located in the San Fernando Valley and enrolls approximately 3,000 students each year. It is located in District 2 of the Los Angeles Unified School District (LAUSD). Built in 1927, Lankershim High School was named for the town of Lankershim (first called Toluca, now North Hollywood) and its founding family. It opened with only a main building, auditorium, gymnaisum, and a shop & mechanics building, with 800 students, graduating its first class in 1928. The Board of Education was asked to employ teachers who were already residents of North Hollywood, creating jobs and education opportunities right in the area. Lankershim High School was renamed North Hollywood High School in 1929. Notable queer alumni and faculty: Farley Granger (1925–2011), Susan Sontag (1933-2004).

Queer Places, Vol. 1.1: Retracing the Steps of LGBTQ people around the World
ISBN-13: 978-1532901904 (CreateSpace-Assigned)
ISBN-10: 1532901909
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Theatre: Helen Arthur was a theatre manager, known for managing the Neighborhood Playhouse for thirteen seasons (1915-1927). Arthur was the manager of several notable actors, including Ruth Draper.

Address: 340 E 54th St, New York, NY 10022, USA (40.75658, -73.96529)

The Neighborhood Playhouse School of the Theatre is a full-time professional conservatory for actors located at 340 E 54th St, New York, NY 10022, and is known as the home of the Meisner technique. Neighborhood Playhouse had originally been founded as an off-Broadway theatre by philanthropists Alice Lewisohn and Irene Lewisohn in 1915, but closed in 1927. The following year, it re-opened as the Neighborhood Playhouse School of the Theatre with the addition of Rita Wallach Morgenthau. Sanford Meisner joined the faculty in 1935 from the Group Theatre. Meisner used his study of Russian theatre and acting innovator, Konstantin Stanislavski's System to develop his own technique, as an alternative to Lee Strasberg's Method acting. In 1955, Farley Granger (1925-2011) moved to New York and began studying with Bob Fosse, Gloria Vanderbilt, James Kirkwood and Tom Tryon in a class taught by Sandy Meisner at the Neighborhood Playhouse.

Who: Helen Jean Arthur (March 29, 1879 – December 9, 1939) and Agnes Morgan (October 31, 1879 - May 25, 1976)
Helen Arthur was born in Lancaster, Wisconsin to Lemuel John Arthur (a lawyer) and Mary Emma Ziegler Arthur. She attended Evanston Township High School, followed by a year at Northwestern University (1897-1898), and received a Bachelor of Law degree from New York University in 1901. She was the first woman to try a criminal case in New York State. During her time in law practice she co-authored the handbook "Domestic Employment: A Handbook" which sought to explain applicable laws to an area which was subject to abuse. Helen Arthur's legal work brought her into contact with Lillian Wald of the Henry Street Settlement. Arthur was in residence at the Settlement during 1906, and was one of two people known to have had romantic relationships with Wald. The two vacationed together during August-September 1906. While practicing law Arthur began writing theatre reviews for a small publication. She soon gave up her law practice and became the agent for actress Grace George. She performed secretarial work for the theatrical managers, the Shubert brothers Lee and Jacob J. Shubert. A 1915 notice in Variety announced her leaving the Shuberts brothers "after seven or eight years." The notice also mentioned that Arthur, an "occasional authoress," had written a skit based on the Shuberts featuring characters Jake and Lee and that Arthur had taken the "Jake" part. By 1915, Alice Lewisohn (later Alice Crowley) and her sister Irene Lewisohn were in need of legal help for their nascent theatrical project, the Neighborhood Playhouse. Alice called upon Arthur to assist her, becoming part of the staff, despite Sarah Cowell Le Moyne's (the head teacher) distaste for "all feminists who invade the profession of men." A 1916 article in Variety described Arthur as publicity director. Arthur was responsible for introducing Agnes Morgan (by that time her partner) to Lewisohn, who went on to become one of the Playhouse's most significant directors. In her memoir of the Playhouse, Lewisohn (now Crowley) described Arthur as "lithe, shirt-waisted, and stiff-colored Helen Arthur, dapper, bright-eyed, keen; and her friend the quiet, serious, watchful Agnes Morgan." A Playhouse performer described her as "quite a pixie, bright as a whistle, and a little devilish too." Of the relationship between Arthur and Agnes Morgan, another Playhouse performer said they "were a lesbian couple; just everyone knew." Helen Arthur also engaged in pursuits outside of the Playhouse. In 1916 she was the manager for actress Doris Keane. In 1918 Arthur managed the Over There Theatre League in which a number of actors sailed for France and England to perform for the troops stationed there. She was director of the Casino Theatre in Newport, Rhode Island from 1935-1939 during its summer seasons. The plays she produced there included “At Marian's” (with Laurette Taylor), “Night in the House” and two plays written by Morgan, “If Love Were All” and “Grandpa” (written under the pseudonym Cutler Hatch). In 1936 she and Morgan joined the Popular Price Unit of the Federal Theatre Project where they presented “American Holiday,” “Thirteenth Chair” and “Class of '29.” In 1938-1939 she was appointed executive director of the Ann Arbor Dramatic Season for 1938. After the Neighborhood Playhouse closed in 1927, Helen Arthur and Agnes Morgan formed their own company, Actor-Managers, Inc. Arthur continued to manage notable actresses including Mrs. Patrick Campbell, Florence Roberts as well as the singer Marion Kirby and dancer Angna Enters. She managed Ruth Draper for ten years, from 1929 until her death in 1939. Helen Arthur died of cerebral thrombosis at the Neurological Institute of New York. Her obituary stated that she had homes in New York City and Pleasantville, New York. Agnes Morgan was a director, playwright, actress and theatrical producer. She is most known for her association with the Neighborhood Playhouse where she was a director and functioned in numerous other roles. Morgan was born in Le Roy, New York to Frank H. Morgan, an editor, and Sarah L. Cutler Morgan, a teacher. Lewisohn described Morgan as "quiet, serious, watchful." In speaking the Lewisohn sister, founders of the Playhouse joining with Morgan and Helen Arthur, Lewisohn added "...never had five people cast in such different molds joined forces with more congeniality." In speaking of two comedies, “Great Catherine: Whom Glory Still Adores” by Shaw and “The Queen's Enemies” by Lord Dunsany, Crowley recalled that "the spirited quality in both productions was largely due to Agnes Morgan's skillful direction. Perhaps Great Catherine was paving the way to her gift in handling burlesque, which was later to create an infectious vogue on Grand Street and Broadway through the [Grand Street Follies].” Crowley described Morgan as an essential part of the Playhouse: “Agnes Morgan's apprentices were the stage crew, a neighborhood corps of assistant property boys, scene shifters, and painters But her technical facility was such that she was everywhere in the theatre, combining a collection of functions the mere mention of which would drive any "self-respecting" member of the theatre union of today into a decline. Skilled as an actor, she played an occasional role; she developed the technical side of lighting, and had an instinctive gift for direction, as for the function of stage manager. As an amateur she responded to any production need while pursuing her professional career as playwright.” Grand St. Follies: Neighborhood Playhouse had an in-house burlesque. While searching for an experimental play (promised to subscribers), Lewisohn suggested that the in-house burlesque be open to the subscribers. It had been the inspiration and creation of Agnes Morgan and Helen Arthur. The following season, staff were concerned as to whether they could equal the success of the first Grand Street Follies. " was clear that her genius for brilliant satire had flowered overnight. Morgan directed thirty-one out of forty-four dramas mounted at the Neighborhood Playhouse between 1915 and its closing in 1927, as well as dance and festival shows. After the Playhouse closed she formed her own company, originally sharing the name of the annual Grand Street Follies and later called Actor-Managers, Inc. which existed until 1939. She directed eight plays on Broadway between 1927 and 1935 as well as three plays for the Federal Theatre Project. In 1931 she wrote the play “If Love Were All” under the pseudonym Cutler Hatch and staged it as well. In 1940 Morgan became associate director of the Paper Mill Playhouse in New Jersey, a position she held until 1972. Morgan died in 1976 in San Bernardino, California.

Queer Places, Vol. 1.2: Retracing the Steps of LGBTQ people around the World Authored by Elisa Rolle
ISBN-13: 978-1544066585 (CreateSpace-Assigned)
ISBN-10: 1544066589
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